Art Basel Miami Beach: Film Program

    Art Basel Miami Beach: 4 – 8 December 2013. Art Basel presents a premier program of films by and about artists, selected by David Gryn, Director of London’s Artprojx, and Zurich collector This Brunner. Gryn’s 2013 program presents over 70 film and video works drawn from the show’s participating galleries, including works by Dara BirnbaumMartin CreedRineke DijkstraJoan JonasYinka Shonibare MBEMickalene Thomas and Kehinde Wiley.

    Brunner’s feature film selection is the United States premiere of ‘Nan Goldin – I Remember Your Face’ (2013) by Sabine Lidl which will be shown at the Colony Theatre, 1040 Lincoln Road, Miami Beach at 8.30 pm on Friday, December 6, 2013 in the presence of Nan Goldin and Sabine Lidl, and will be followed by a Q&A with the artist and film director. Entry is free, but seating is limited. Along with an exemplary insight into the seminal American photographer’s life, the film offers viewers a candid, sensitive and at times humorous perspective on contemporary culture. Image above: Sabine Lidl, Nan Goldin – I Remember Your Face (2013). Courtesy of Medea Film – Irene Höfer

    View Art Basel Miami Beach Talks program and Exhibitors. Download floorplan here.

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    The third edition of David Gryn’s selection for Art Basel’s Miami Beach show explores the collaborative creative process via intersections between visual artists, composers, musicians, choreographers, dancers and animators.

    Framed within eight distinct screening programs, the program highlights an international selection of emerging and established artists. Alongside works by leading international artists such as Shezad Dawood, Rineke Dijkstra, Nathalie Djurberg, Joan Jonas, Karen Kilimnik and Shirin Neshat. Highlights include the international premiere of Martin Creed’s new film ‘Work No. 1700’ (2013), Kehinde Wiley’s ‘World Stage: Jamaica’ (2013), and a selection of works by Yinka Shonibare MBE exploring the interface between music and dance. Dara Birnbaum presents ‘Arabesque‘ (2011/2013), specifically re-edited for the program. Art Basel’s Salon program will see Dara Birnbaum in conversation with David Gryn on December 6 at 1pm. All screenings outlined below take place at the New World Centerapart from the final viewing pod listing.

    Wednesday, December 4, 8pm
    1. Shuffle Notes – Beauty in Danger
    A selection of artists’ films with a view towards animation and perception. The total running time is approximately 57′.

    Liliana Sánchez, Gulana Dressed as a parrot, 2003, 2’36”, Casas Riegner
    David Shrigley, New Friends, 2006, 1′, Stephen Friedman Gallery, Anton Kern Gallery, Yvon Lambert, Galleri Nicolai Wallner
    Brian Alfred, Beauty in Danger, 2013, 2’1”, SCAI The Bathhouse
    Marco Rios, At Loulou’s door, 2013, 3′, Simon Preston Gallery
    Alice Maher, Godchildren of Enantios, 2010, 6’41”, David Nolan Gallery
    Miljohn Ruperto & Suntek Chung, As Himself, 2006, 4’58”, Koenig & Clinton
    Shimabuku, Leaves Swim, 2011, 2’30”, Zero…
    Regina Silveira, Mil e um dias (1001 days), 2007, 11’16”, Alexander Gray Associates
    Oscar Muñoz, Hombre de Arena, 2006-2009, 3’40”, mor charpentier
    David Shrigley, Headless Drummer, 2012, 1′, Stephen Friedman Gallery, Anton Kern
    Gallery, Yvon Lambert, Galleri Nicolai Wallner, BQ
    Nathalie Djurberg with music by Hans Berg, Deceiving Looks, 2011, 5’58”, Lisson Gallery
    David Austen, Smoking Moon, 2006, 13′, Ingleby Gallery

    Wednesday, December 4, 9pm
    2. New Dream Machine and Other Films
    This program features four very different films, varying in rhythms and themes. Martin Creed’s ‘Work No. 1700’ (2013) is presented as an international premiere. The total running time is approximately 58′.

    Mickalene Thomas, Happy Birthday to a Beautiful Woman, 2012, 23’07”, Lehmann Maupin
    Shezad Dawood, New Dream Machine Project, 2011, 15′, Chemould Prescott Road
    Martin Creed, Work No. 1700, 2013, Gavin Brown’s enterprise
    Shirin Neshat, Turbulent, 1998, 10′, Gladstone Gallery

    Thursday, December 5, 9pm
    3. Tango at the Edge of the Fair
    The program focuses on works that incorporate elements of dance and look at movement as an abstract narrative. The total running time is approximately 59′.

    Rineke Dijkstra, The Krazyhouse (Nicky), 2009, 6’15”, Marian Goodman Gallery
    Linder, The Ultimate Form, 2013, 31’19”, Blum & Poe
    Nevin Aladağ, Top View 29,53 ft, 2012, 2’48”, Wentrup
    Jeremy Shaw, Best Minds Part One (excerpt), 2007, 5’40”, Johann König
    Rineke Dijkstra, The Krazyhouse (Phillip), 2009, 10’06”, Marian Goodman Gallery
    William Kentridge with Philip Miller, Tango for Page Turning, 2013, 2’48”, Goodman Gallery

    Thursday, December 5, 10pm
    4. Arabesque and Reanimation: Dara Birnbaum and Joan Jonas. 
    Dara Birnbaum and Joan Jonas have transformed our way of seeing and responding tothe world. Dara Birnbaum’s ‘Arabesque’ (2011/2013) was specifically re-edited for the program.
    The total running time is approximately 52′.

    Dara Birnbaum, Arabesque, 2011/2013, 6’37”, Marian Goodman Gallery
    Joan Jonas, Reanimation, 2010, 19’11”, Yvon Lambert
    Dara Birnbaum, Fire! Hendrix, 1982, 3’13”, Marian Goodman Gallery
    Dara Birnbaum, Kiss The Girls: Make Them Cry, 1979, 6’50”, Marian Goodman Gallery
    Dara Birnbaum, PM Magazine/Acid Rock, 1982, 4’09”, Marian Goodman Gallery
    Dara Birnbaum, General Hospital/Olympic Women Speed Skating, 1980, 6′, Marian Goodman Gallery
    Dara Birnbaum, Kojak/Wang, 1980, 3′, Marian Goodman Gallery
    Dara Birnbaum, Remy/Grand Central: Trains and Boats and Planes, 1980, 4’18’, Marian Goodman Gallery

    Friday, December 6, 8pm
    5. An Elegy for Voice and Silence
    The program looks at themes such as communication, self-reflection, introspection and the sense of belonging. The total running time is approximately 61′.

    Kehinde Wiley, The World Stage: Jamaica, 2013, 6’57’, Stephen Friedman Gallery
    Cevdet Erek, Studio, 2005-2007, 12”, mor charpentier
    Ari Marcopoulos, Anything, 2012, 59”, Kavi Gupta Gallery
    Chris Johanson, Encinitas Realization, 1999, 3′, Altman Siegel
    Fyodor Pavlov-Andreevich, My Mouth is a Temple, 2009, 3’51”, Luciana Brito Galeria
    My Barbarian, The Cassandra, 2013, 13’30”, Susanne Vielmetter Los Angeles Projects
    Luz María Bedoya, Dirección, 2006, 4’48”, 80M2 Livia Benavides
    Christian Jankowski, Orientación, 2012, 8’25”, Proyectos Monclova
    JR, Women are Heroes, 2010, 9’11”, Galerie Perrotin
    Nicola Thomas, Imitation 34/59, 2013, 3’20”, courtesy of the artist
    Cheng Ran, The Last Sentence, 2013, 12’34”, Galerie Urs Meile, Beijing – Lucerne
    Stanya Kahn, Who do you Think you Are, 2012, 8’05”, Susanne Vielmetter Los Angeles Projects

    Yinka Shonibare MBE, Un Ballo in Maschera (A Masked Ball), 2004, 34′, Stephen Friedman Gallery, James Cohan Gallery
    Yinka Shonibare MBE, Addio del Passato, 2011, 16’52”, Stephen Friedman Gallery, James Cohan Gallery
    Yinka Shonibare MBE, Odile and Odette, 2005, 14′ 28”, Stephen Friedman Gallery, James Cohan Gallery

    Friday, December 6, 10pm
    6. Prelude to a Syncopation
    Artists connect sound, choreography and social media – the results reveal diverserelationships between the visual, music and the meditative repetition of the ordinary and urban. The total running time is approximately 35′.

    Rashaad Newsome, Painting Opponents Red, 2011, 3’14”, Marlborough Gallery
    Leo Gabin, Hair Long, 2013, 1’53”, Peres Projects, Elizabeth Dee
    Rashaad Newsome, Grand Duchess of Gainesville, 2011, 2’34”, Marlborough Gallery
    Leo Gabin, Cleaning, 2012, 2’32”, Peres Projects, Elizabeth Dee
    Rashaad Newsome, Devices, 2011, 3’03”, Marlborough Gallery
    Leo Gabin, With Me, 2012, 2’43”, Peres Projects, Elizabeth Dee
    Kemang Wa Lehulere, Behave or You Jump, 2010, 1’34”, Stevenson
    Samuel Levack and Jennifer Lewandowski, Chic, 2012, 3’34”, courtesy of the artist

    Saturday, December 7, 10pm
    7. Fantasia for Dissonant Harmonies
    In all the films in this program, the soundtrack plays a crucial role. The relationship that is developed between the visual and the audio builds a bridge to the location of the screening: the New World Center, Home of the New World Symphony, America’s Orchestral Academy. The total running time is approximately 68′

    Mahony, Los Tres Invitados, 2011, 3’03”, Galerie Emanuel Layr
    Ana Gallardo, A boca de jarro, 2008, 6’36”, Ignacio Liprandi Arte Contemporáneo
    Lucien Smith, I Like America and America Likes Me, 2013, 3’39”, Salon 94
    Karen Kilimnik, …introducing Tabitha, 1991, 1’10”, 303 Gallery
    Nicola Thomas, Dancing with Monk, 2013, 2’55”, courtesy of the artist
    Takeshi Murata, Monster Movie, 2005, 4’12”, Salon 94, Ratio 3
    Carlos Amorales with Julian Lede, Orellana’s Fantasia, 2013, 7′, Yvon Lambert, kurimanzutto
    Tin Ojeda, Daughter, 2013, 7′, 303 Gallery
    Friedrich Kunath, You Go Your Way and I’ll Go Crazy, 2012, 16’53”, Blum & Poe
    Kemang Wa Lehulere, Lefu La Ntate, 2005, 3’1”, Stevenson
    Avinash Veeraraghavan, Breathing charcoal soaked in a shallow forest stream, 2010, 4’20”, GallerySKE
    Bill Balaskas, Parthenon Rising (II), 2011, 2’45”, Kalfayan Galleries Pietro Roccasalva, Giocondità, 2002, 3’53”, Zero…
    Bruce McLean, EARACHE: an Opera Bouffant, or ‘How Elvis’s Quiff Killed Johnnie Ray’, 2’08”, 2013, Tanya Leighton Gallery
    William E. Jones, The Soviet Army Prepares for Action in Afghanistan, 2011, 2’55”, David Kordansky Gallery, The Modern Institute

    8. Viewing Pod Selection
    Shown in conjunction with the outdoor program, the following works are presented exclusively within viewing pods inside the Miami Beach Convention Center:

    Adela Jušić, The Sniper, 2007, 4’09”, Alan Cristea Gallery
    Kathan Brown, John Cage at Work (1978-1992), 2013, 44′, Crown Point Press
    Ciprian Mureşan, Untitled (Monks), 2011, 12’13”, David Nolan Gallery
    Suh Dongwook, Light on the water, 2011, 19’08”, One and J. Gallery
    Song-Ming Ang, Be True to Your School, 2010, 12′, Singapore Tyler Print Institute
    Raed Yassin, The New Film, 2008, 12′, Kalfayan Galleries
    Carlos Amorales, Amsterdam, 2013, 21′, Yvon Lambert, kurimanzutto
    Philippe Gruenberg, Domestic Landscape, 2010, 14’17”, Revolver Galería
    Wiliam E. Jones, Bay of Pigs, 2012, 3’56”, David Kordansky Gallery, The Modern Institute


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