Final Weekend: 56 Artillery Lane at Raven Row

Jenna Bliss, Poison the Cure, 2017, still from HD Video, 30 mins. Courtesy of the artist.

Raven Row, London

56 Artillery Lane until 11 June 2017
Friday to Sunday, 11am-6pm

Final Weekend

‘Poison the Cure’ | Conversation and screening with Jenna Bliss, Alex Fleming and Las Neitas de Nonó
Saturday 10 June 2017, 4pm

Jenna Bliss and Alex Fleming will discuss the research and production process which informed her new film Poison the Cure (2017), including Bliss’ work with artist and actor Michel Nonó of the performance collective Las Nietas de Nonó. They will draw on their previous projects to explore shared interests in narratives of addiction, self-care and pharmacology.

A screening will follow of Las Nietas de Nonó’s Cazadoras de Palo (2017) – depicting four women hunting iguanas in Puerto Rico, a US colony where 80% of the food is imported – as well as a Skype conversation with Las Neitas de Nonó.

To reserve your place, please click here.

Jenna Bliss’ Poison the Cure (2017) was commissioned by Raven Row for 56 Artillery Lane and is supported using public funding by Art Council England.


Fran Cottell, Collecting Time, the Living and the Dead, installation in the artist’s home, 2005. Photo by Terry Watts

Project in Greenwich

Fran Cottell, Forced Entry, 2017
Sunday 11 June. Final weekend, with drinks from 2-5pm.

Forced Entry is an installation that is built into the artist’s home, a former cemetery lodge in Greenwich. It is the fifth in a series begun in 2001.

The social concerns of this project shift between the relative values of order/disorder and status of the visitors and the inhabitants. This new architectural intervention provides viewing platforms which counter distance with proximity. The artist’s family and friends remain active in the house.

Opening times: Sunday 2-5pm

18 Woolwich Road
Greenwich, London
SE10 0JU

Train/Underground: Westcombe Park (Southeastern), Cutty Sark (DLR), North Greenwich (Jubilee). From North Greenwich: 6 min bus (129 or 422). From Cutty Sark: 11 min bus (129, 286, 180 or 177); 18 min walk.


 

Jenna Bliss is an artist and filmmaker currently based in New York. Her film Poison the Cure (2017) was commissioned with support from Arts Council England for the exhibition 56 Artillery Lane. Recent ongoing film project The History of Lincoln Detox (2015-) has been screened at the ICA and Raven Row, London, CAC, Vilnius, CAC, Shanghai and Lisa Cooley Gallery, New York. Previous screening and performances include South London Gallery, Flat Time House, Chisenhale Gallery and Nottingham Contemporary, UK. Bliss is a 2016-17 participant in the Whitney Independent Study Program, New York. Forthcoming exhibitions include Step into Spring with Gili Tal at Cell Project Space, London (2017) and a solo presentation at OUTPOST, Norwich (2017).

Fran Cottell is an artist producing installations, public interventions and performance since the 1970s; working collaboratively and individually, on social, feminist, environmental and domestic artworks, and curatorial projects. Fran is a Senior Lecturer in Fine Art at Camberwell College of Arts.

Alex Fleming is a UK based artist, curator and writer. He is a programmer at the Scottish arts organisation Arika. From 2012 to 2015 he was organiser of CAGE, an artist workspace and prisoner solidarity project in the lower east side of New York. In 2014, together with filmmaker Melanie Gilligan he co-founded the theatre workshop, Talk Show. In 2015 he attended The Whitney Museum Independent Study Program. His artwork and curatorial projects have been exhibited at Kunsthalle Basel, Yale Union, The Whitney Museum of American Art, Artists Space, and Bridget Donahue. He has taught at New York University, The New School for Social Research, and Yale School of Art.

Las Nietas de Nonó are sisters Michel and Lydela Nonó. They live in San Antón de Carolina neighborhood in Puerto Rico. From their home they have been running Patio Taller, a space for community and artistic encounters since 2011.

 


56 Artillery Lane  Until 11 June 2017

For this exhibition ‘home’ is imagined as a space for social, sexual and political agency, and ‘the domestic’ as a stage on which kinship and self are formed and transformed through acts of love, cruelty and indifference.

A group of works from the recent past and present has been gathered and joined to a weekly live programme. Visual vocabularies range from bodily waste and bacterial growth to intimate self-imaging. Sculptural forms make reference to temporary shelter and collective occupation, while films are diaristic, improvised and quasi-fictional. The archive is invoked as a ‘homemaking’ space. For instance, photographic ‘genomegrams’ by Fiona Clark describe a personal response to trauma, Ingrid Pollard’s film reflects on her parents’ correspondence and Barbara T. Smith’s books comprise homemade Xerox impressions of the artist’s body and images of her children. Installations by Martine Syms and Ben Burgis & Ksenia Pedan work directly with the buildings’ fabric, while a film by Jenna Bliss – commissioned for the exhibition – explores the class, race and gender dynamics of drug use within domestic contexts in Puerto Rico and New York. Colonial legacies and indigenous activism are explored as well as gentrification and familial histories. The exhibition provides a partial map of the domestic as an unstable zone.

A publication has been made for the exhibition in which Amy Tobin builds a picture of a little-documented exhibition titled A Woman’s Place, made in 1974 by a group of artists in a squatted house and women’s centre in South London.

The live programme of performances, seminars, screenings and workshops extends the project to include, amongst other concerns, co-housing, modular architecture, non-monogamy, the domestic in narrative film and fiction, living with illness and health activism.

Participants in 56 Artillery Lane include Chantal Akerman, Ego Ahaiwe Sowinski, Soofiya Andry, Dr Meg-John Barker, Phoebe Blatton, Rizvana Bradley, Jenna Bliss, Ben Burgis & Ksenia Pedan, Autumn Chacon, Adam Christensen, Fiona Clark, Lucy Clout, Fran Cottell, Jemma Desai, Fenixº, Keira Fox, Harry Giles, Carry Gorney, Candice Hopkins, Juliet Jacques, Alice Jones, Bhanu Kapil, Morag Keil and Georgie Nettell, Rudy Loewe, Mira Mattar, Zinzi Minott, Merata Mita, Irenosen Okojie, Lucy Orta, Meera Osborne, Maria Pinińska-Bereś, Ingrid Pollard, Steve Reinke, Christine Roche, Sisters of Jam, Stanley Spencer, Barbara T. Smith, Martine Syms, Anna Szaflarski, Nina Wakeford, Kate Walker, Ed Webb-Ingall, Ria Wilson, Anicka Yi and Rehana Zaman.

The exhibition is curated by Amy Budd and Naomi Pearce, with input from Amy Ball, Gail Chester, Althea Greenan, Lucie Kinchin, Alexandra Kokoli, Imogen and Catriona Laing, Ed Webb-Ingall, Suzy Mackie, Sue Madden, Bernard G Mills, Ciara Moloney, Sofía Gallisá Muriente, Su Richardson, Alex Sainsbury, Amy Tobin and Mercedes Vicente.

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